Serenity Review

"Wait...Buffy and Angel? Aren't those...like...vampire shows?"

Serenity has a difficult line to straddle. It must be accessible to those not steeped in Firefly's universe (not a small percentage of the population given the low ratings and subsequent cancellation of the show) while not retreading so much ground as to be redundant to the faithful (for whom, it must be noted, the movie was almost exclusively created). In short, it must be a movie for everyone and a last ditch, Hail Mary of an attempt to stir up enough interest to get the show back on the airwaves. Does it succeed? In all ways but one.

The show, after all, was never resuscitated.

Firefly: Objects in Space Review

The crew.

It was not without a tinge of regret that I fired up the final episode of Firefly. Though hardly the holy grail of science fiction television that many contend it to be, the series was heartfelt, creative, and clever without being too highbrow. It managed to capture the gee-whiz appeal of science fiction without ever letting it dominate the thoroughly human characters and stories. And it is tragic to ponder the directions and advances the show could have made had it not been prematurely canceled. While 14 episodes could never dethrone TV's sci champion Star Trek: The Next Generation (at least in the minds of BofHam's elite editors), a full run might have been a different story.

But we've got a job to do here and it's not about lamenting long-dead television programs. It's about reviewing them.

Firefly: Out of Gas Review

Tim Minear.

A quick review of the writing credits for each of the eight Firefly episodes seen so far reveals some interesting attributes of each primary scribe. Whedon's writing is, unsurprisingly, the most accessible and pleasing. Serenity, The Train Job, and Our Mrs. Reynolds all move effortlessly between humor and drama with neither tone feeling overdone. The guest writers range from pleasing (Jane Espenson's Shindig was a delight) to hackneyed (Drew Z. Greenberg's Safe felt mostly tacky) to overwrought (Ben Edlund's Jaynestown being the worst-reviewed episode thus far). Which leaves the work of Tim Minear, Whedon's creative second-in-command. Minear was responsible for the hair-raising Bushwhacked and co-wrote the enjoyable The Train Job with Whedon. But perhaps the most poignant Firefly episode to date is also Minear's second solo act and Out of Gas does not disappoint, suggesting that Minear might have his finger closer to Firefly's emotional pulse than even its more famous creator.

Firefly: The Train Job Review

Good times, good times with this crew. Bar fights, train heists, and fake identities. It must be granted that, while not as effective at introducing us to Firefly's world as the intended pilot, The Train Job is not by any means a poor replacement. It's faster, snappier, and sleeker. And though it certainly leaves you more breathless (particularly if this is your first glimpse into the 'verse), it seems even less plausible that the failure of the series lies entirely with the Fox executives' reshuffling of episodes.

Firefly: The Real Pilot Review

Much has been written about, commented on, and lamented regarding Joss Whedon's short-lived science fiction romp, Firefly. While not finding the broad audience it was hoping for, the passion among the show's followers is legendary. The self-described 'Brown Coats' managed that rarest feat in entertainment: using devotion to overcome profit margins. The production of the Serenity movie owes its existence almost entirely to the efforts of the fans who picketed, propositioned, and petitioned it into being.