Firefly: Objects in Space Review

The crew.

It was not without a tinge of regret that I fired up the final episode of Firefly. Though hardly the holy grail of science fiction television that many contend it to be, the series was heartfelt, creative, and clever without being too highbrow. It managed to capture the gee-whiz appeal of science fiction without ever letting it dominate the thoroughly human characters and stories. And it is tragic to ponder the directions and advances the show could have made had it not been prematurely canceled. While 14 episodes could never dethrone TV's sci champion Star Trek: The Next Generation (at least in the minds of BofHam's elite editors), a full run might have been a different story.

But we've got a job to do here and it's not about lamenting long-dead television programs. It's about reviewing them.

Firefly: Heart of Gold Review

Firefly seems to make an economic assessment on the value of water along the lines of the econ 101 thought-experiment of the water-diamond paradox. (Said thought-experiment simply noting the primacy of scarcity over function in valuing a good on the free market.) In Firefly's future, it would appear that water is an expensive commodity, at least when bought for terraforming. The poorer the planet, the drier the climate and Heart of Gold is no exception. Unlike the wild-west styled dust-balls of Our Mrs. Reynolds and Safe, or the muddy mess of Jaynestown, Heart of Gold takes place almost entirely in a desert.

Firefly: The Message Review

Generations of charm.

Firefly continues to oscillate between the satire and the saccharine, the mindless and the maudlin. It's starting to feel like the wheels are falling off the show a little bit, particularly with the extremely weepy conclusion to The Message. Which is something of a shame, given how tight the episode feels overall. Slightly deeper research however, reveals an explanation for The Message's jarringly heavy-handed conclusion; the news of the show's cancellation came during the production of The Message. Whedon and Minear used the final moments of the episode as a vehicle for their own farewell to the show. Cast in this light, the episode's conclusion is no less jarring but is, at least, forgivably so, putting The Message up there with the series' best.

Firefly: Trash Review

Back, in all her buxomy glory (turns out 'buxomy' is not an acceptable adverbification of 'buxom' just as 'adverbification' is not an acceptable noun form of 'adverb'), is Kristina Hendricks of Mad Men fame. However, despite attempting to kill the gang in her previous appearance, Trash sees her teaming up with Mal and co. for a historic heist. It's a fun, light-hearted romp through Firefly's universe with some interesting sets and clever plans. As is the show's custom, it occasionally veers a little too close to camp for my comfort but, with a naked Nathan Fillion, who can really complain?

Fan service.

J.J. Abrams Can't Write Characters

Is that title even fair? Though Abrams conceives of his shows and sketches the basic contours of them, the episode-to-episode writing usually falls on others. Wherever the real blame should fall though, it is Abrams' name that is most closely associated with the likes of Lost, Alias, and Fringe. And, as a result, it is on him that we level our criticism.

Firefly: The Train Job Review

Good times, good times with this crew. Bar fights, train heists, and fake identities. It must be granted that, while not as effective at introducing us to Firefly's world as the intended pilot, The Train Job is not by any means a poor replacement. It's faster, snappier, and sleeker. And though it certainly leaves you more breathless (particularly if this is your first glimpse into the 'verse), it seems even less plausible that the failure of the series lies entirely with the Fox executives' reshuffling of episodes.